The Behringer Measurement Microphone ECM8000’s linear frequency response and omnidirectional polar pattern allows you to carry out measurement and alignment tasks with minimum hassle and maximum precision, making it a perfect complement for Behringer’s Ultra-Curve Pro DSP8024 or any other real-time analyzer. Its rugged construction ensures years of trouble-free use.

Phantom powered, +15 V to +48 V Delivered in a rugged hard case with microphone clip and stand adapter

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The C01U USB Studio Condenser Mic is the first affordable studio condenser mic with a USB interface.

For the first time ever, musicians who record music on computers have a simple, affordable way to capture high-quality vocal and acoustic instrument performances.

Seamless integration was the idea, and it was obtained by creating a studio condenser microphone that can be plugged into any computer with no in/out boxes, no expensive computer pre-amps, just a USB cable.

The C01U condenser microphone is based on our wildly successful C01. It features a 19mm internal shock mounted diaphragm with a cardioid pick up pattern ensuring pristine studio quality recordings.

The C01U works perfectly on any computer, Mac or PC, and with any DAW software program. It immediately solves a huge problem for users of many laptops, many of which have no other input method for audio devices.

It’s a must for any musician on the road or in the project studio, but the C01U is going to offer solutions to more than just musicians. The mic opens up possibilities for anyone who records audio—from Podcasters, journalists, students, and business people adding audio files to websites and multimedia presentations.

Feature List

• Large Diaphragm, 19mm, Studio Condenser with USB Digital Output.
• Compatible with any computer based Digital Audio Workstation.
• The extremely detailed sound reproduction makes it ideal for recording vocals, acoustic instruments and just about any other sound source.
• High Quality AD converter with 16 Bit, 48K sampling rate.

User Ratings and Reviews

2 Stars Does Not work with Vista
“Samson C01U USB mic records low volume on Vista.

This is a known behavior with the Samson Mic and the Vista operating system and is not specific with Camtasia Studio. Be sure to turn your recording volume up and speak directly into the microphone to obtain a good recording level. ”

The above is copied from the Camtasia Web site. This is apparently a well known problem with Vista. I’m encountering it too.

5 Stars Gain problem on Mac solved
On my Mac iBook G4 running 10.5.8 there had been a problem with these Samson USB CO1U mics that first came up when I switched them between laptops. The problem was there with Audacity and SoundStudio and it may be the same issue with other apps. I am using two of these mics for stereo recording, but the fix is the same for a single mic. The source of this problem is the fact that even though these are mono mics they have two output channels, and both channels must have their gain all the way up in order to have full gain from the mic. Setting gain in the system sound preference does not seem to accomplish this.

Go to the AudioMIDI Setup Utility in the utilities folder, select the Samson mic in the “Properties For” dropdown. Under “Audio Input” you will then see the option of 1 or 2 channels. Select 2-ch, then below to the left the L & R volume sliders for both channels should be all the way to the right. You can now put the mic setting back to 1-channel without affecting overall gain.

If you use two mics for stereo recording just set each mic like this individually, go to the Aggregate Device Editor under “Audio” on the menu bar, aggregate the two mics, and you’re done. If you need to balance the gain on them afterward you can do so by selecting them individually to make any changes. Make sure “Default Input” remains “Aggregate Device” (which BTW you can rename by going back to the “Aggregate Device Editor” and double clicking.) Unfortunately, on some Macs this resetting of mic gain has to be redone every time they are unplugged and plugged back in, but it’s quick and easy once you’ve done it. Hope this helps!

5 Stars Nice low cost mic
It took just a little playing to get the mic placement figured out, but now it produces nice sounding audio. What works well for my screencasts is to set it on the table right in front of me at about a 60 degree angle tilted away from me. So the green light on the front is pointed towards my mouth, but I talk over it. I look at the computer screen, so the main acoustic energy is flowing about 5 inches above the microphone rather than aimed straight at it. I also bought the windscreen for it to help smooth any acoustic bursts.

It works perfectly with Windows and Linux. Supposed to also work with Mac. For me, a big concern before buying a microphone was that it works with Linux. I didn’t have to do anything to get it to work with Linux. I just plugged it in and used the ALSA mixer to turn it on and used it with Audacity and RecordMyDesktop.

The graphical mixer tools work well to turn it on or off, but to make sure I get the same a good volume setting each time, I made a couple simple shell scripts after experimenting with the right volume setting.

$ cat micon

amixer -c 1 set ‘Mic’ 48 unmute cap on

$ cat micoff

amixer -c 1 set ‘Mic’ nocap mute

Then in recordMyDesktop, either specify hw:1,0 in the device box (graphical version) or from the command line, use -device hw:1,0.

Here is a sample of one of my screencasts with this mic using recordMyDeskTop in Linux. My voice is pretty deep, so that’s just me, not the mic.

[...]

Here is one where I compare it to two other mics. I did this one right after I got it, and hadn’t figured out the mic placement yet. I did this one in Windows. You can also find this recording on YouTube.

[...]

5 Stars Great mic at a great price
I was looking for a good high-quality condensor microphone. This is it. USB connected for digital no-noise signal. Standard size fit my stand and vibration mount. The sound is clean and perfect for voice applications. Highly recommended!

5 Stars Received right away and works great!
This was sent out fast and we were very happy with the promptness and condition of the product.

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The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments. Comes with windscreen and carrying bag. Champagne finish. Features A highly consistent cardioid polar pattern Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar diaphragm for superior transient response Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion Premium electronic components, including gold-plated internal and external connectors Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs) Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs) Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect Performance Characteristics Extended frequency response Low self noise Exceptional reproduction of low-frequency sounds Can withstand high sound pressure levels (SPL) High output level No crossover distortion Uniform polar response Superior…

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The nanoPAD is part of Korg’s nanoSERIES USB-powered slimline controllers, so small you can put them on your workstation, in front of your laptop, on a recording console, or anywhere else you need versatile control over your DAW, virtual instrument, effect, or DJ software.

Despite its small size, this MIDI controller goes big when it comes to functionality. It’s intuitive layout provides extremely easy operation for any user. The Korg nanoPAD features 12 highly responsive trigger pads capable of sending both notes and MIDI control data, plus an X-Y pad with roll and flam functions to give you a unique interface for realistic drum programming.

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PF001 Pop Filter

User Ratings and Reviews

3 Stars Simple and standard
It is what it is, a microphone por filter. It does with it suppose to do. My only complain is that the bolt that secures it to the stand does not come with a rubber ending or similar soft material to avoid scratching the stand. In this sense, the design is pretty primitive.

5 Stars Wonderful pop filter
A very well made pop filter, everything works effectively.

Pros:

Everything

Cons:

Rather poor shipping packaging

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The CAD U7 USB Tabletop Recording Microphone features an omnidirectional condenser element that is perfect for recording speech at home or in the office. With a frequency response tailored for speech and a low profile design that sits perfectly on a table, the CAD U7 works great for dictation or recording vocals from presentations. The plug and play U7 makes it easier than ever to start recording your meetings or speeches.

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The Shure Model Beta 87A is a premium quality supercardioid hand-held electret condenser vocal microphone with exceptionally smooth frequency response and high sound pressure level (SPL) capability. Used for professional sound reinforcement, broadcasting, and studio recording applications, the Beta 87A combines superb performance with the ruggedness needed for touring and field production.The Beta 87A features a controlled low-frequency roll-off that compensates for proximity effect and prevents the “boomy” sound often associated with close pick-up. The characteristic Shure presence rise brightens the upper midrange. The tight supercardioid pattern, with null points at approximately 125 degrees, provides maximum isolation from other vocalists or instruments while offering minimal off-axis coloration. The Beta 87A operates on phantom power.

User Ratings and Reviews

5 Stars Lives up to hype
Every positive comment about this microphone is right on. I finally have found a mic that captures every resonance, and clarity. I have used it to record and perform live. This is an amazing tech. that delivers real results. I bought it based on reviews without trying it out first, and it was the best mic purchase I have ever made. This mic has a quality that far exceeds the initial investment.

5 Stars S-M-O-O-T-H… “Audio Velvet”
Just look around at TV shows and see how speakers, singers, other personalities and performers use THIS microphone. The word has gotten out that if you want to sound your BEST use this baby! I do and I would NOT settle for any less now.

5 Stars The best
I bought this mic in a Hermes Music Store in Mcallen Tx, and its the best of mic’s. It takes your voice clarity and in long distance. It worth every peny.

5 Stars Wonderful for spoken word and podcasting…
After using countless large diaphragm condenser mics over the years, I’ve settled on the Beta 87a and the Beta 58a for my vocal work.

I’ve produced podcasts, spoken word pieces and voiceovers with both of these microphones with superb results with hardly any EQ needed. (You can listen to samples at blog.visitronix.com)

Neither one of these mics will let you down. I highly recommend them!

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The versatility of the C 1000 S makes this an extremely popular model, and one ideally suited for all kinds of recording and live sound applications.If no phantom power is available, the mic can be powered by a standard 9 V battery, making it perfect for mobile use. With its battery monitoring electronics, the C 1000 S now features a reliable LED warning light. The red LED above the the microphone switch lights up when the remaining battery life falls below 45 minutes. The polar pattern can quickly be switched from cardioid to hypercardioid simply by attaching the PPC 1000 Polar Pattern Converter provided to the microphone capsule. The PB 1000 Presence Boost Adapter also supplied with the C 1000 S adds 3 to 5 dB of high-end enhancement between 5 and 9 kHz, improving clarity of speech and adding definition to instrument sounds.

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Ideal for applications such as conferences, group discussions, interviews, home video production, lectures, and recordings. The mic can be placed on a large surface such as a table, floor, wall, or lectern. Element Type: Electret Condenser Frequency Response: 50 Hz to 16 kHz Polar Pattern: Hemispherical Impedance: 1600 ohms, unbalanced Sensitivity: 20 mV/Pa (-54 dBV/Pa) The Crown Sound Grabber II is a Pressure Zone MicrophoneŽ

User Ratings and Reviews

5 Stars Easy!
We use this microphone for recording National Board teacher candidates and their classes. The sound is clear and the cord is long so you can move around a classroom easily. It’s easy to use and does the job!

5 Stars Sound-Grabber-II Conference Microphone.
Excellent, fast service. The Sound-Grabber-II Conference Microphone is exactly what we needed for recording meetings. No problem transcribing. Can hear everything on the tape.

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Rugged metal body. Extended dynamic response with pronounced presence and vocal ‘punch’. Excellent feedback rejection. Very good rejection of handling noise. Very high sound pressure handling capability. Frequency response: 40Hz-20kHz. Wired Microphones: Pro Sound & Entertainment: Microphones

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