Posted: January 22nd, 2010 | Author: Condenser Microphone Reviews | Filed under: Condenser Microphone Reviews | Tags: Background Noise, Cardioid Instrument, Condenser Microphone, Crossover Distortion, Effect Performance, Frequency Filter, Instrument Microphone, Intermodulation Distortion, Low Frequency, Low Mass, Mechanical Vibration, Microphone Shure, Performance Characteristics, Polar Pattern, Polar Response, Preamplifier, Proximity Effect, Response Class, Self Noise, Transient Response | No Comments »
Shure KSM137 Cardioid Instrument Microphone
The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments. Comes with windscreen and carrying bag. Champagne finish. Features A highly consistent cardioid polar pattern Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar diaphragm for superior transient response Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion Premium electronic components, including gold-plated internal and external connectors Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs) Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs) Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect Performance Characteristics Extended frequency response Low self noise Exceptional reproduction of low-frequency sounds Can withstand high sound pressure levels (SPL) High output level No crossover distortion Uniform polar response Superior…
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Posted: January 7th, 2010 | Author: Condenser Microphone Reviews | Filed under: Condenser Microphone Reviews | Tags: Accurate Reproduction, Aluminum Case, Condenser Microphone, Critical Studio, Crossover Distortion, Elastic Suspension, Frequency Filter, Guitar Amplifiers, Internal Shock, Low Carbon Steel, Mechanical Vibration, Microphone Shure, Response Class, Self Noise, Shock Mount, Shure Ksm44, Sound Sources, Steel Grille, Unwanted Background Noise, Vocal Recording | No Comments »
Shure KSM44 Large Dual Diaphragm Microphone
The Shure KSM44 Condenser Microphone is a multiple pattern (cardioid, omnidirectional, bidirectional), externally biased, dual large diaphragm (1-inch) mic with extremely low self-noise (7dB). Developed to meet the needs of studio recording musicians, the warm, rich sound of the KSM44 delivers exceptional performance, tailored to deliver vivid reproduction of voice for the most critical recordings. The KSM44 also offers great flexibility in a variety of recording applications, working well on acoustic and amplified instruments, as its capacity for managing high SPLs (thanks to a 15dB attenuation switch) accommodates loud sound sources such as drums and guitar amplifiers. Frequency response is 20Hz – 20kHz and an internal shock mount is provided to reduce unwanted handling noise. A locking aluminum case and a color-matched ShureLock elastic-suspension shock mount are included.Shure KSM44/SL FeaturesDual 1-inch, externally biased, ultra-thin, 2.5 micron, 24-karat gold-layered, low mass, Mylar diaphragms provide superior transient response.Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response and no crossover distortion. Minimizes harmonic and intermodulation distortions.Full-range frequency response (20 Hz – 20 KHz) for an extremely accurate reproduction of voice and instruments.Extremely low self noise (7 dBA) for critical studio vocal recording.Premium electronic components and gold-plated internal and external connectorsSubsonic filter eliminates rumble from mechanical vibration below 17 Hz.15 dB attenuation switch for handling high input SPL sound sources3-position switchable low-frequency filter virtually eliminates unwanted background noise and controls proximity effectDurable zinc die-cast housing and hardened low carbon steel grille to protect the cartridge from accidental drops or misuse<
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Posted: January 3rd, 2010 | Author: Condenser Microphone Reviews | Filed under: Condenser Microphone Reviews | Tags: Axis, Breath Noise, Clarity, Condenser, Condenser Microphone, Consistency, Diaphragm, Frequency Filter, Frequency Response, Low Frequency, Microphone Stand, Mylar, Natural Reproduction, Nuances, Proximity Effect, Self Noise, Shure Microphone, Transient Response, Unwanted Background Noise, Zipper Pouch | No Comments »
Shure SM27 LC Cardioid Side Address Condenser Microphone includes zipper pouch and stand adapter
A rugged and versatile large-diaphragm, side-address cardioid microphone, with low self-noise and extended frequency response, theShure SM27 Condenser Microphonepicks up vocal and instrument nuances with clarity. Durable Shure construction features three separate mesh layers that reduce wind and breath noise. The SM27 is equally comfortable on stage or in the studio and works just as hard as you do.Shure SM27 Condenser Microphone FeaturesUniform cardioid pattern for superior off axis rejectionSuperior transient response from a low-mass large Mylar diaphragmFlat, neutral frequency response for natural reproduction on stage or in the studio3-position switchable low-frequency filter helps reduce unwanted background noise or counteract proximity effect for consistent, extended low-endDurable metal constructionThree separate mesh layers reduces wind and breath noise15dB pad for performance consistency across a wider range of high SPL sources
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