• Cardioid polar pattern, ultra-thin diaphragm, transformerless preamplifier circuitry.
• Switchable pad (25dB, 15dB) for very high input SPL sources.
• Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
• Low self-noise and extended frequency response.
• Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect
• Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion
• Cardioid polar pattern, ultra-thin diaphragm, transformerless preamplifier circuitry
• Switchable pad (25dB, 15dB) for very high input SPL sources

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The Shure Model Beta 87A is a premium quality supercardioid hand-held electret condenser vocal microphone with exceptionally smooth frequency response and high sound pressure level (SPL) capability. Used for professional sound reinforcement, broadcasting, and studio recording applications, the Beta 87A combines superb performance with the ruggedness needed for touring and field production.The Beta 87A features a controlled low-frequency roll-off that compensates for proximity effect and prevents the “boomy” sound often associated with close pick-up. The characteristic Shure presence rise brightens the upper midrange. The tight supercardioid pattern, with null points at approximately 125 degrees, provides maximum isolation from other vocalists or instruments while offering minimal off-axis coloration. The Beta 87A operates on phantom power.

User Ratings and Reviews

5 Stars Lives up to hype
Every positive comment about this microphone is right on. I finally have found a mic that captures every resonance, and clarity. I have used it to record and perform live. This is an amazing tech. that delivers real results. I bought it based on reviews without trying it out first, and it was the best mic purchase I have ever made. This mic has a quality that far exceeds the initial investment.

5 Stars S-M-O-O-T-H… “Audio Velvet”
Just look around at TV shows and see how speakers, singers, other personalities and performers use THIS microphone. The word has gotten out that if you want to sound your BEST use this baby! I do and I would NOT settle for any less now.

5 Stars The best
I bought this mic in a Hermes Music Store in Mcallen Tx, and its the best of mic’s. It takes your voice clarity and in long distance. It worth every peny.

5 Stars Wonderful for spoken word and podcasting…
After using countless large diaphragm condenser mics over the years, I’ve settled on the Beta 87a and the Beta 58a for my vocal work.

I’ve produced podcasts, spoken word pieces and voiceovers with both of these microphones with superb results with hardly any EQ needed. (You can listen to samples at blog.visitronix.com)

Neither one of these mics will let you down. I highly recommend them!

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The SM93 is an economical omnidirectional miniature lavalier condenser microphone designed for use in speech applications. Despite its small size, the microphone element provides full, clear sound comparable to that of much larger microphones. Its frequency response is tailored to body-worn applications, with low-end rolloff and presence rise. The SM93 is powered by phantom power supplied by broadcast, sound reinforcement or recording equipment, or an external phantom supply. The SM93 operates over an extremely wide voltage range of 11 to 52 Vdc, covering both DIN and IEC phantom power standards.

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The Shure SM81 Instrument Condenser Microphone is perfect for acoustic guitarists and Instrumentalists. The SM81 lets you reproduce your instrument with the highest fidelity.The razor flat 20 to 20K frequency response of this low impedance, unidirectional, cardioid condenser mic is faithful to every nuance of your expression. Built-in 10Db attenuator. Requires phantom power from board or external source.The Shure SM81 is a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. Its wide frequency response, low noise characteristics, and low RF susceptibility have made it a standard for applications involving acoustic instruments, especially guitar, piano, and cymbals.The SM81 is ruggedly constructed. It operates on phantom power and performs over a wide range of temperatures and humidity conditions. It is furnished with a swivel adapter, attenuator-switch lock, foam windscreen, and case for carrying and storage. Other accessories are available.Shure SM81FeaturesA standard for acoustic instruments, including guitar and cymbals20 Hz to 20 kHz frequency responseFlat response curve for accurate reproduction of sound sourcesLow noise and high output clipping levelLow distortion over a wide range of load impedancesCardioid polar pattern, uniform with frequency and symmetric about axis, providing maximum rejection and minimum coloration of off-axis soundsLow RF susceptibilitySelectable low-frequency response: flat, 6 or 18 dB/octave rolloff0 dB/10 dB lockable attenuator switchPhantom powering (DIN 45 596 voltages of 12 to 48 Vdc)Rugged steel construction for durabilityField-usable over wide range of temperature and humidity conditionsWindscreen included

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The Shure KSM44 Condenser Microphone is a multiple pattern (cardioid, omnidirectional, bidirectional), externally biased, dual large diaphragm (1-inch) mic with extremely low self-noise (7dB). Developed to meet the needs of studio recording musicians, the warm, rich sound of the KSM44 delivers exceptional performance, tailored to deliver vivid reproduction of voice for the most critical recordings. The KSM44 also offers great flexibility in a variety of recording applications, working well on acoustic and amplified instruments, as its capacity for managing high SPLs (thanks to a 15dB attenuation switch) accommodates loud sound sources such as drums and guitar amplifiers. Frequency response is 20Hz – 20kHz and an internal shock mount is provided to reduce unwanted handling noise. A locking aluminum case and a color-matched ShureLock elastic-suspension shock mount are included.Shure KSM44/SL FeaturesDual 1-inch, externally biased, ultra-thin, 2.5 micron, 24-karat gold-layered, low mass, Mylar diaphragms provide superior transient response.Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response and no crossover distortion. Minimizes harmonic and intermodulation distortions.Full-range frequency response (20 Hz – 20 KHz) for an extremely accurate reproduction of voice and instruments.Extremely low self noise (7 dBA) for critical studio vocal recording.Premium electronic components and gold-plated internal and external connectorsSubsonic filter eliminates rumble from mechanical vibration below 17 Hz.15 dB attenuation switch for handling high input SPL sound sources3-position switchable low-frequency filter virtually eliminates unwanted background noise and controls proximity effectDurable zinc die-cast housing and hardened low carbon steel grille to protect the cartridge from accidental drops or misuse<

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The PG27LC side-address cardioid condenser microphone is designed with a flat frequency response for natural reproduction and features a large diaphragm. A high SPL threshold handles a wide variety of acoustic, amplified and vocal sound sources with professional clarity. It includes a stand adapter and zippered pouch.

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The Shure SM7B Dynamic Vocal Microphone is a cardioid studio mic with a smooth, flat, wide-range frequency response appropriate for music and speech in all professional audio applications.The SM7B features excellent shielding against electromagnetic hum generated by computer monitors, neon lights, and other electrical devices. The SM7B has been updated from earlier models with an improved bracket design that offers greater stability. In addition to its standard windscreen, it also includes the A7WS windscreen for close-talk applications. The SM7B Includes a foam winscreen, close-talk windscreen, and a locking yoke mount.Shure SM7B Features:Flat, wide-range frequency response for exceptionally clean and natural reproduction of both music and speechBass rolloff and mid-range emphasis (presence boost) controls with graphic display of response settingImproved rejection of electromagnetic hum, optimized for shielding against broadband interference emitted by computer monitorsInternalair suspensionshock isolation virtually eliminates mechanical noise transmissionHighly effective pop filter eliminates need for any add-on protection against explosive breath sounds, even for close-up vocals or narrationNow shipping with the A7WS detachable windscreen, designed to reduce plosive sounds and gives a warmer tone for close-talk vocalsYoke mounting with captive stand nut for easy mounting and dismounting provides precise control of microphone positionClassic cardioid polar pattern, uniform with frequency and symmetrical about axis, to provide maximum rejection and minimum coloration of off-axis soundRugged construction and excellent cartridge protection for outstanding reliabilityReplacement cartridge: RPM106

User Ratings and Reviews

5 Stars My favorite vocal mic
You know how your singing/speaking voice always sounds richer in your head than it does on tape? This mic makes you sound on tape like you sound in your head.

The Good:

* Thick low-mids, a nice presence bump, and an agreeable proximity effect that has none of that “Help I’m trapped in a box” sound you get with an SM58 or other dynamic cardioid vocal mic.

* Off-axis noise rejection makes this a good choice for live room recording, where a condenser mic would get too much bleed.

* There’s just something about the giant foam wind/pop screen that is fun to sing into. This is a friendly mic that sounds great.

You should know:

* You’ll need a pre-amp with 60dB gain to get a proper level out of this mic. Most computer audio interfaces with built-in mic pre’s have only 30-40db of gain. As a test, if an SM58 in your setup requires that you max the gain, you’ll definitely need to pair this mic with an external pre-amp (you probably need one for your SM58 too!).

* This isn’t intended as a hand-held live mic, though people have done it.

5 Stars BEST VOICE MICROPHONE THERE IS!
If you are looking for a microphone for voice-overs or broadcast use, THIS IS WHAT YOU NEED TO BUY.

The Shure SM-5 and SM-7 microphones are the best voice mics ever made. The large SM-5 is no longer made, so you can only find it used, but the SM-7 is just as good. Either one, you have the best.

Don’t let the price fool you. I have brought this in to studios that have $3000 Neuman condenser mics and they laughed when I said I wanted to use my $300 Shure mic instead. I told them to put up both mics and do an A/B test while I spoke into each of them. The three other audio engineers in the studio had to agree, the Shure was better and it was a night and day difference, not hard at all to decide it was best.

This mic has a warmth and rich sound no other mic can give you.

Even industry publications like MIX MAGAZINE and RadioWorld have done reviews where they did the same tests and said the same things about this mic in comparison to the expensive condenser mics…

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from MIX MAGAZINE, March 1998, page 53:

Eric Paul has made a career out of recording country giants like Willie Nelson, Waylon Jennings, Johnny Cash and many others: “My favorite overall microphone for voices is the Shure SM-5. If they can’t get a Shure SM-5, they can still get Shure SM-7s, which are still available. If you’ve tried out three very expensive tube mics and you aren’t happy with any of them, then the next step should immediately be a Shure SM-7. I will almost always guarentee you that if the expensive mic doesn’t work, an SM-7 will. For some reason, people sound better on them.”

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from RADIO WORLD, February 18 1998, page 62:

Joe Stack, director of engineering for ABC radio said: “When I worked at WATH in Athens, Ohio, I had someone call and offer me ten RE-20s for the three SM-5s we had. I turned him down.”

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from EQ MAGAZINE, July 2006 issue:

The SM7 is perhaps most famous for being used as the vocal microphone on Michael Jackson’s Thriller engineered by Bruce Swedien.

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Some interesting facts about the SM-7…

“When we were doing “Off The Wall”, “Thriller” and “Bad” I ended up with 6 Shure SM7′s. That is a fantastic mike.” – Bruce Swedien

The Red Hot Chili Peppers have used the SM 7 on vocals on every album they have done.

You can see James Hetfield from Metallica singing into a Shure SM 7 on the “Some Kind Of Monster” DVD.

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Another thing I have noticed in the studio, is that some of my other mics require gating and downward expanders on the mics to get rid of room noise, but the SM-7 doesn’t need it. It is quiet all by itself.

And to save many hours trying to edit out mouth noises, clicks and smacks from voice-over talent that use expensive CONDENSER microphones, just have them use the SM-7 next time, and no more wasted time editing out mouth noises anymore.

Throughout the years on the Howard Stern Show, they have replaced and tried all sorts of microphones, from the Electrovoice RE-20 to Neuman mics. But if you notice, the Co-host, Robin Quivers, STILL uses the Shure SM-7 and refuses to change to any of the other mics. You can see throughout the years on the TV show that although the mics are always changing for everyone else, Robin ALWAYS has the SM-7 to this day.

Since the Howard Stern Show has moved to Sirrius Sattelite, the show had to buy new microphones, (couldn’t take them with from CBS) and everyone seems to be using the same mics they did before. Robin has another SM-7 so she really likes this mic! It looks different now, because she has the larger windscreen that now comes with the SM-7.

4 Stars Broadcasting Mic
I am a Dj and the SM7B is a pretty good mic it is clear and has an occasional pop. I think that for on air use it is a good affordable buy. I would recommend it very highly.

5 Stars The Grail
I can’t do more than underscore the endorsement of this mic by the previous reviewer (FOX). If you haven’t started in the mic-collecting business, trying every trendy dynamic and condenser mic in the hundred dollar range and below, you might actually save some bucks by cutting directly to the chase and going for this one. I’ve always wondered why I can’t reproduce the sounds of our local NPR outlet, and I finally realize it’s because they have the Shure SM7B and I don’t.

It enhances the voice with depth and richness and filters out the pops and unwanted percussives (face it, those separate pop filters are cumbersome to use). It’s very directional and “selective” (rejecting room ambience and background noise), so it’s perhaps not the ideal mic for all applications. But for announcing, broadcasting, vocal performance and vocal recording, I don’t see how anything could possibly equal let alone surpass it.

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Shure PG42 Vocal Condenser Microphone; engineered for vocal reproduction. The PG42 condenser utilizes a large cardioid diaphragm made to be highly sensitivity helping to clearly reproduce performances accurately. A -15dB switchable attenuator and a high pass filtering switch allows you to give some adjustment to the sound as it comes in making it a dependable mic for a variety of voices and vocal styles. The Shure PG42 includes a Shock Mount and Carrying Case. Shure PG42 Large diaphragm capsule for clear highs and strong lows Voice-tailored frequency response reproduces the subtle nuances in vocals High-pass filter for additional control of unwanted low-end signal -15dB switchable attenuator for additional SPL versatility Shock mount included for additional set-up stability Carrying case included for additional protection during storage or transport Availability will be early June.

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The Shure SM87A features a slightly thickened handle for a more comfortable feel. A favorite choice of the world’s top entertainers, the SM87A condenser microphone provides a smooth frequency response that’s specifically tailored for warm, rich, vocal reproduction.

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PG185 Condenser Lavalier Microphone with TQG connector for wireless transmittersClothing clip for secure placementAcoustic windscreen minimizes wind noise in outdoor applications

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