Posted: January 22nd, 2010 | Author: Condenser Microphone Reviews | Filed under: Condenser Microphone Reviews | Tags: Background Noise, Cardioid Instrument, Condenser Microphone, Crossover Distortion, Effect Performance, Frequency Filter, Instrument Microphone, Intermodulation Distortion, Low Frequency, Low Mass, Mechanical Vibration, Microphone Shure, Performance Characteristics, Polar Pattern, Polar Response, Preamplifier, Proximity Effect, Response Class, Self Noise, Transient Response | No Comments »
Shure KSM137 Cardioid Instrument Microphone
The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments. Comes with windscreen and carrying bag. Champagne finish. Features A highly consistent cardioid polar pattern Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar diaphragm for superior transient response Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion Premium electronic components, including gold-plated internal and external connectors Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs) Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs) Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect Performance Characteristics Extended frequency response Low self noise Exceptional reproduction of low-frequency sounds Can withstand high sound pressure levels (SPL) High output level No crossover distortion Uniform polar response Superior…
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Posted: January 7th, 2010 | Author: Condenser Microphone Reviews | Filed under: Condenser Microphone Reviews | Tags: Accurate Reproduction, Aluminum Case, Condenser Microphone, Critical Studio, Crossover Distortion, Elastic Suspension, Frequency Filter, Guitar Amplifiers, Internal Shock, Low Carbon Steel, Mechanical Vibration, Microphone Shure, Response Class, Self Noise, Shock Mount, Shure Ksm44, Sound Sources, Steel Grille, Unwanted Background Noise, Vocal Recording | No Comments »
Shure KSM44 Large Dual Diaphragm Microphone
The Shure KSM44 Condenser Microphone is a multiple pattern (cardioid, omnidirectional, bidirectional), externally biased, dual large diaphragm (1-inch) mic with extremely low self-noise (7dB). Developed to meet the needs of studio recording musicians, the warm, rich sound of the KSM44 delivers exceptional performance, tailored to deliver vivid reproduction of voice for the most critical recordings. The KSM44 also offers great flexibility in a variety of recording applications, working well on acoustic and amplified instruments, as its capacity for managing high SPLs (thanks to a 15dB attenuation switch) accommodates loud sound sources such as drums and guitar amplifiers. Frequency response is 20Hz – 20kHz and an internal shock mount is provided to reduce unwanted handling noise. A locking aluminum case and a color-matched ShureLock elastic-suspension shock mount are included.Shure KSM44/SL FeaturesDual 1-inch, externally biased, ultra-thin, 2.5 micron, 24-karat gold-layered, low mass, Mylar diaphragms provide superior transient response.Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response and no crossover distortion. Minimizes harmonic and intermodulation distortions.Full-range frequency response (20 Hz – 20 KHz) for an extremely accurate reproduction of voice and instruments.Extremely low self noise (7 dBA) for critical studio vocal recording.Premium electronic components and gold-plated internal and external connectorsSubsonic filter eliminates rumble from mechanical vibration below 17 Hz.15 dB attenuation switch for handling high input SPL sound sources3-position switchable low-frequency filter virtually eliminates unwanted background noise and controls proximity effectDurable zinc die-cast housing and hardened low carbon steel grille to protect the cartridge from accidental drops or misuse<
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Posted: January 3rd, 2010 | Author: Condenser Microphone Reviews | Filed under: Condenser Microphone Reviews | Tags: Axis, Breath Noise, Clarity, Condenser, Condenser Microphone, Consistency, Diaphragm, Frequency Filter, Frequency Response, Low Frequency, Microphone Stand, Mylar, Natural Reproduction, Nuances, Proximity Effect, Self Noise, Shure Microphone, Transient Response, Unwanted Background Noise, Zipper Pouch | No Comments »
Shure SM27 LC Cardioid Side Address Condenser Microphone includes zipper pouch and stand adapter
A rugged and versatile large-diaphragm, side-address cardioid microphone, with low self-noise and extended frequency response, theShure SM27 Condenser Microphonepicks up vocal and instrument nuances with clarity. Durable Shure construction features three separate mesh layers that reduce wind and breath noise. The SM27 is equally comfortable on stage or in the studio and works just as hard as you do.Shure SM27 Condenser Microphone FeaturesUniform cardioid pattern for superior off axis rejectionSuperior transient response from a low-mass large Mylar diaphragmFlat, neutral frequency response for natural reproduction on stage or in the studio3-position switchable low-frequency filter helps reduce unwanted background noise or counteract proximity effect for consistent, extended low-endDurable metal constructionThree separate mesh layers reduces wind and breath noise15dB pad for performance consistency across a wider range of high SPL sources
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Posted: January 1st, 2010 | Author: Condenser Microphone Reviews | Filed under: Condenser Microphone Reviews | Tags: Acoustic Guitars, Art Surface, Bowed Strings, Choice Award, Condenser, Durable Satin, Dynamic Range, Electronic Circuitry, Electronic Musician, Low Noise, Nt2, Satin Nickel, Self Noise, Shock Mount, Spl Capability, Studio Condenser Microphone, Studio Microphone, Surface Mount, Unnatural Color, Zip Pouch | No Comments »
Rode NT1A Vocal Condenser Microphone
The RODE NT1A raises the bar for value-priced mics!The NT1AAnniversary Modelis a complete redesign of the now legendary NT1 classic studio microphone. From the new nickel plated body to the state of the art surface mount electronic circuitry, the NT1A will leave you asking ‘how can RODE offer a microphone that sounds this good, for so little money’? The RØDE NT1A, Winner of the Electronic Musician 2004 Editor’s Choice Award and the world’s quietest studio condenser microphone. This redesigned version of RØDE’s classic NT1 has only 5 dBA of self-noise.The NT1A has become an industry standard providing the warmth, extended dynamic range, clarity and high SPL capability usually only found with some of the most expensive microphones. Finished in durable satin nickel, the NT1A is supplied with a shock mount and zip pouch.Rode NT1A FeaturesLarge 1 inch capsule with gold plated diaphragmCardioid polar patternSelf Noise of only 5 dB (A)Ultra low noise, transformerless surface mount circuitryWide dynamic rangeGold plated output contactsTrue condenser (externally biased(Internal capsul shock mountingAvailable as a matched pairAlso available in packages with a stand and cable at an incredible price
User Ratings and Reviews
5 Stars Great Mic
Great for vocals, acoustic guitars, pianos
and other strings. Don’t know about bowed
strings but I imagine it would work out fine.
Very versatile, True and accurate recording.
Won’t give your voice an unnatural color.
NT2 has more features for a bit more cost
I think I might have gone with that if I had
done more homework.
5 Stars Awesome!!!
If you are in to producing/engineering and want a super mean condensor mic without spending alot of cash, this is one to get; very cheap with an extremely expensive sound. It does not have any polar switches or any built in eq’s, but most all DAW’s do have eq’s and phase reverse abilities. Plus, its better to cut freq’s that are there, then to try and boost freq’s that aren’t there; the latter is impossible actually. I’m telling you, don’t let the price tag throw you off; this baby makes everything sound good. I’ve used it on vocals, acoustic guitars, drums as an overhead/ride mic as well as a room mic for ambience. I also have a matched pair of NT 5’s that are also absolutely amazing. Rode is a great Australian company that makes amazing mics with a 10 year warranty; yep…10 years. Get one, you won’t be dissapointed. Remember though, bad acoustics = bad recording sound.
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Posted: December 30th, 2009 | Author: Condenser Microphone Reviews | Filed under: Condenser Microphone Reviews | Tags: Absolute Classic, Broadcast Stations, C 414, Cardioid, Condenser Microphone, Control Changes, External Pop, Frequency Response Curve, Generation C, High Humidity, Legendary Sound, Polar Pattern, Polar Patterns, Pop Filter, Road Case, Self Noise, Solo Vocals, Switch Positions, Visual Indication, Xl Models | No Comments »
AKG C414BXLII Vocal Condenser Microphone Includes shockmount case windscreen and pop filter
The AKG C414BXLII is an absolute classic with a distinctive timbre especially designed for recording solo vocals.Everything on the redesigned model has been changed except for that legendary sound. A fifth polar pattern (wide cardioid) has been added for additional flexibility. The capsule tuning for the new model is the same as previous – the XL II has AKG’s trademarkvoice-friendlyresponse for smooth vocal performance. All switch positions, microphone output overload, and power on/off status are indicated by LEDs which adds to the ease of use and visibility of settings of some dimly lit performance rooms. All function switches are located in the low-impedance section of the electronics to prevent problems in high humidity and also to minimize noise during control changes. Other features include 6dB higher sensitivity than the previous C 414 models, and extremely low self-noise (6 dB) – a major improvement. The new model is packaged in an all-metal road case and comes with a two-stage external pop filter, a shock mount, a windscreen and a frequency response curve chart of the microphone.FeaturesHigh sensitivity and extremely low self noiseFive switchable polar patterns for placement and application flexibilityTwo-color LEDs provide quick visual indication of selected polar pattern and output overloadElastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibrationH 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen.With the introduction of the NeXt Generation C 414 B-XL models, AKG sets new benchmarks for useful features, improved technical specifications, ease of use and available accessories. All of these improvements are answers to requests from ever-demanding recording studios, broadcast stations and concert engineers, but with the basic sonic character of
User Ratings and Reviews
5 Stars Favorite mic
I used this mic every day while running a studio. We had a whole closet of specialty mics but almost always grabbed the 414 eventually. Great on male vocals, violin, acoustic guitar…only reason I wouldn’t grab & try this first is if I was miking a guitar cab or close miking a snare. Buy two & use as the best overheads for a choral group or for a grand piano you ever use! No mic is perfect for every situation but with this and a few SM57s & 58s you’ll cover 90% of every situation with great sound.
5 Stars I would compare this mic with the U87
I would compare this mic with the U87
It’s very good
It’s called here in Recife a working horse…
Because it works wonders in any situation
It will all depend tho
On your ears and the situations you’re in like the room; your voice and imagination…
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