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Condenser Microphone Reviews Archives
Tag Archives: Self Noise
Shure KSM137 Cardioid Instrument Microphone
Shure KSM137 Cardioid Instrument Microphone Cardioid polar pattern, ultra-thin diaphragm, transformerless preamplifier circuitry. Switchable pad (25dB, 15dB) for very high input SPL sources. Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic … Continue reading
Posted in Condenser Microphone Reviews, Small Diaphragm Condenser Microphones
Tagged Background Noise, Cardioid Instrument, Condenser Microphone, Crossover Distortion, Effect Performance, Frequency Filter, Instrument Microphone, Intermodulation Distortion, Low Frequency, Low Mass, Mechanical Vibration, Microphone Shure, Performance Characteristics, Polar Pattern, Polar Response, Preamplifier, Proximity Effect, Response Class, Self Noise, Transient Response
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Shure KSM44 Large Dual Diaphragm Microphone
Shure KSM44 Large Dual Diaphragm Microphone The Shure KSM44 Condenser Microphone is a multiple pattern (cardioid, omnidirectional, bidirectional), externally biased, dual large diaphragm (1-inch) mic with extremely low self-noise (7dB). Developed to meet the needs of studio recording musicians, the … Continue reading
Posted in Condenser Microphone Reviews
Tagged Accurate Reproduction, Aluminum Case, Condenser Microphone, Critical Studio, Crossover Distortion, Elastic Suspension, Frequency Filter, Guitar Amplifiers, Internal Shock, Low Carbon Steel, Mechanical Vibration, Microphone Shure, Response Class, Self Noise, Shock Mount, Shure Ksm44, Sound Sources, Steel Grille, Unwanted Background Noise, Vocal Recording
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Shure SM27 LC Cardioid Side Address Condenser Microphone includes zipper pouch and stand adapter
Shure SM27 LC Cardioid Side Address Condenser Microphone includes zipper pouch and stand adapter A rugged and versatile large-diaphragm, side-address cardioid microphone, with low self-noise and extended frequency response, theShure SM27 Condenser Microphonepicks up vocal and instrument nuances with clarity. … Continue reading
Posted in Condenser Microphone Reviews
Tagged Axis, Breath Noise, Clarity, Condenser, Condenser Microphone, Consistency, Diaphragm, Frequency Filter, Frequency Response, Low Frequency, Microphone Stand, Mylar, Natural Reproduction, Nuances, Proximity Effect, Self Noise, Shure Microphone, Transient Response, Unwanted Background Noise, Zipper Pouch
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Rode NT1A Vocal Condenser Microphone
Rode NT1A Vocal Condenser Microphone The RODE NT1A raises the bar for value-priced mics!The NT1AAnniversary Modelis a complete redesign of the now legendary NT1 classic studio microphone. From the new nickel plated body to the state of the art surface … Continue reading
Posted in Condenser Microphone Reviews
Tagged Acoustic Guitars, Art Surface, Bowed Strings, Choice Award, Condenser, Durable Satin, Dynamic Range, Electronic Circuitry, Electronic Musician, Low Noise, Nt2, Satin Nickel, Self Noise, Shock Mount, Spl Capability, Studio Condenser Microphone, Studio Microphone, Surface Mount, Unnatural Color, Zip Pouch
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AKG C414BXLII Vocal Condenser Microphone Includes shockmount case windscreen and pop filter
AKG C414BXLII Vocal Condenser Microphone Includes shockmount case windscreen and pop filter The AKG C414BXLII is an absolute classic with a distinctive timbre especially designed for recording solo vocals.Everything on the redesigned model has been changed except for that legendary … Continue reading
Posted in Condenser Microphone Reviews
Tagged Absolute Classic, Broadcast Stations, C 414, Cardioid, Condenser Microphone, Control Changes, External Pop, Frequency Response Curve, Generation C, High Humidity, Legendary Sound, Polar Pattern, Polar Patterns, Pop Filter, Road Case, Self Noise, Solo Vocals, Switch Positions, Visual Indication, Xl Models
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