• Cardioid polar pattern, ultra-thin diaphragm, transformerless preamplifier circuitry.
• Switchable pad (25dB, 15dB) for very high input SPL sources.
• Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
• Low self-noise and extended frequency response.
• Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect
• Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion
• Cardioid polar pattern, ultra-thin diaphragm, transformerless preamplifier circuitry
• Switchable pad (25dB, 15dB) for very high input SPL sources

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The Shure KSM44 Condenser Microphone is a multiple pattern (cardioid, omnidirectional, bidirectional), externally biased, dual large diaphragm (1-inch) mic with extremely low self-noise (7dB). Developed to meet the needs of studio recording musicians, the warm, rich sound of the KSM44 delivers exceptional performance, tailored to deliver vivid reproduction of voice for the most critical recordings. The KSM44 also offers great flexibility in a variety of recording applications, working well on acoustic and amplified instruments, as its capacity for managing high SPLs (thanks to a 15dB attenuation switch) accommodates loud sound sources such as drums and guitar amplifiers. Frequency response is 20Hz – 20kHz and an internal shock mount is provided to reduce unwanted handling noise. A locking aluminum case and a color-matched ShureLock elastic-suspension shock mount are included.Shure KSM44/SL FeaturesDual 1-inch, externally biased, ultra-thin, 2.5 micron, 24-karat gold-layered, low mass, Mylar diaphragms provide superior transient response.Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response and no crossover distortion. Minimizes harmonic and intermodulation distortions.Full-range frequency response (20 Hz – 20 KHz) for an extremely accurate reproduction of voice and instruments.Extremely low self noise (7 dBA) for critical studio vocal recording.Premium electronic components and gold-plated internal and external connectorsSubsonic filter eliminates rumble from mechanical vibration below 17 Hz.15 dB attenuation switch for handling high input SPL sound sources3-position switchable low-frequency filter virtually eliminates unwanted background noise and controls proximity effectDurable zinc die-cast housing and hardened low carbon steel grille to protect the cartridge from accidental drops or misuse<

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A rugged and versatile large-diaphragm, side-address cardioid microphone, with low self-noise and extended frequency response, theShure SM27 Condenser Microphonepicks up vocal and instrument nuances with clarity. Durable Shure construction features three separate mesh layers that reduce wind and breath noise. The SM27 is equally comfortable on stage or in the studio and works just as hard as you do.Shure SM27 Condenser Microphone FeaturesUniform cardioid pattern for superior off axis rejectionSuperior transient response from a low-mass large Mylar diaphragmFlat, neutral frequency response for natural reproduction on stage or in the studio3-position switchable low-frequency filter helps reduce unwanted background noise or counteract proximity effect for consistent, extended low-endDurable metal constructionThree separate mesh layers reduces wind and breath noise15dB pad for performance consistency across a wider range of high SPL sources

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The RODE NT1A raises the bar for value-priced mics!The NT1AAnniversary Modelis a complete redesign of the now legendary NT1 classic studio microphone. From the new nickel plated body to the state of the art surface mount electronic circuitry, the NT1A will leave you asking ‘how can RODE offer a microphone that sounds this good, for so little money’? The RØDE NT1A, Winner of the Electronic Musician 2004 Editor’s Choice Award and the world’s quietest studio condenser microphone. This redesigned version of RØDE’s classic NT1 has only 5 dBA of self-noise.The NT1A has become an industry standard providing the warmth, extended dynamic range, clarity and high SPL capability usually only found with some of the most expensive microphones. Finished in durable satin nickel, the NT1A is supplied with a shock mount and zip pouch.Rode NT1A FeaturesLarge 1 inch capsule with gold plated diaphragmCardioid polar patternSelf Noise of only 5 dB (A)Ultra low noise, transformerless surface mount circuitryWide dynamic rangeGold plated output contactsTrue condenser (externally biased(Internal capsul shock mountingAvailable as a matched pairAlso available in packages with a stand and cable at an incredible price

User Ratings and Reviews

5 Stars Great Mic
Great for vocals, acoustic guitars, pianos

and other strings. Don’t know about bowed

strings but I imagine it would work out fine.

Very versatile, True and accurate recording.

Won’t give your voice an unnatural color.

NT2 has more features for a bit more cost

I think I might have gone with that if I had

done more homework.

5 Stars Awesome!!!
If you are in to producing/engineering and want a super mean condensor mic without spending alot of cash, this is one to get; very cheap with an extremely expensive sound. It does not have any polar switches or any built in eq’s, but most all DAW’s do have eq’s and phase reverse abilities. Plus, its better to cut freq’s that are there, then to try and boost freq’s that aren’t there; the latter is impossible actually. I’m telling you, don’t let the price tag throw you off; this baby makes everything sound good. I’ve used it on vocals, acoustic guitars, drums as an overhead/ride mic as well as a room mic for ambience. I also have a matched pair of NT 5′s that are also absolutely amazing. Rode is a great Australian company that makes amazing mics with a 10 year warranty; yep…10 years. Get one, you won’t be dissapointed. Remember though, bad acoustics = bad recording sound.

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The AKG C414BXLII is an absolute classic with a distinctive timbre especially designed for recording solo vocals.Everything on the redesigned model has been changed except for that legendary sound. A fifth polar pattern (wide cardioid) has been added for additional flexibility. The capsule tuning for the new model is the same as previous – the XL II has AKG’s trademarkvoice-friendlyresponse for smooth vocal performance. All switch positions, microphone output overload, and power on/off status are indicated by LEDs which adds to the ease of use and visibility of settings of some dimly lit performance rooms. All function switches are located in the low-impedance section of the electronics to prevent problems in high humidity and also to minimize noise during control changes. Other features include 6dB higher sensitivity than the previous C 414 models, and extremely low self-noise (6 dB) – a major improvement. The new model is packaged in an all-metal road case and comes with a two-stage external pop filter, a shock mount, a windscreen and a frequency response curve chart of the microphone.FeaturesHigh sensitivity and extremely low self noiseFive switchable polar patterns for placement and application flexibilityTwo-color LEDs provide quick visual indication of selected polar pattern and output overloadElastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibrationH 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen.With the introduction of the NeXt Generation C 414 B-XL models, AKG sets new benchmarks for useful features, improved technical specifications, ease of use and available accessories. All of these improvements are answers to requests from ever-demanding recording studios, broadcast stations and concert engineers, but with the basic sonic character of

User Ratings and Reviews

5 Stars Favorite mic
I used this mic every day while running a studio. We had a whole closet of specialty mics but almost always grabbed the 414 eventually. Great on male vocals, violin, acoustic guitar…only reason I wouldn’t grab & try this first is if I was miking a guitar cab or close miking a snare. Buy two & use as the best overheads for a choral group or for a grand piano you ever use! No mic is perfect for every situation but with this and a few SM57s & 58s you’ll cover 90% of every situation with great sound.

5 Stars I would compare this mic with the U87
I would compare this mic with the U87

It’s very good

It’s called here in Recife a working horse…

Because it works wonders in any situation

It will all depend tho

On your ears and the situations you’re in like the room; your voice and imagination…

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The MXL 992 Large-Diaphragm Condenser Mic delivers the dynamic range required for the most demanding applications. It has an airy, open sound with low self-noise essential for accurate digital recording. 20Hz-20kHz range. 10dB switchable attenuation. Selectable -10dB low-frequency roll-off. Large brass enclosure. Includes deluxe carrying case and custom-designed shockmount. Requires phantom power.

User Ratings and Reviews

2 Stars Eh
This microphone has provided me with somewhat acceptable results. If you are new to recording, you probably find it very beneficial on acoustic guitar, male voice (can sound harsh), female voice (can sound harsh), and with guitar amps if you are careful. Mine broke a little after six months and I’m pretty sure that the pad and high pass filter didn’t work. So, I would rather save up a bit more and buy a AT4033 used (absolutely great microphone) instead of essentially “wasting” my money on this.

I guess it is a learning experience.

1 Star Avoid This Mic
I have used a lot of pro mics over many years and I can tell you right now this is No Where Near a Pro mic! I bought this thinking that I could base my decision based on the original price I saw listed. However I made a mistake. This mic has a very brittle tone with no body what so ever. Probably one of the worst mics I have ever heard. No bottom end at all. I can’t even eq it properly to make it sound usable. I suggest you save your money and buy a 414 or anything costing 900.00 or above. Believe me when I say you will waste your money if you buy this…I will be returning mine…or maybe just recycle the metal and save the earth!

4 Stars Pleased with the quality… a good step above most average condenser mics
Watch Video Here: http://www.amazon.com/review/R371M5WEOIYH2D This mic is obviously heavily discounted. I cannot find any particular fault with audio quality… so I would imagine the reason for the deal has more with the market moving in the direction of USB microphones rather than any particular fault with this model.

Doing some of my own tests, I would say it rivals the quality of any studio-made podcast I listen too… although it may pick up TOO MUCH sound for certain environments. The low cut filter switch does help in this regard.

bottom line, I am happy with it… and definitely think it gives you an edge in a studio environment over standard condenser mics. Unfortunately, the video doesn’t do the audio quality justice… but… hopefully it helps.

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The Audio-Technica AT2020 USB Microphone offers studio-quality articulation and intelligibility.The AT2020 USB plugs right into your computers USB port, and functions seamlessly with your favorite recording software. Equipped with a USB digital output, the AT2020 USB is perfect for home studio recording, field recording, podcasting, and voiceover use.Based on the renowned AT2020The AT2020 USB is based on the design of Audio-Technicas critically acclaimed AT2020 cardioid condenser microphone. Like the AT2020, it features a low-mass diaphragm, custom-engineered for extended frequency response and superior transient response.With low self-noise, the AT2020 USB is perfectly suited for sophisticated digital recording equipment. Audio-Technicas state-of-the-art design and manufacturing techniques ensure that the microphone complies with the companys renowned consistency and reliability standards.Experience AT2020 USB. Plug it in and transform your sound.Audio-Technica AT2020 USB FeaturesSide-address studio condenser with USB digital output (Windows and Mac compatible)Crystal-clear, natural sound for podcasting, home studio recording, field recording, and voiceover useCustom-engineered low-mass diaphragm provides extended frequency response and superior transient responseCardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound sourceLow self-noise perfectly suited for sophisticated digital recording equipmentIncludes tripod desk stand, pivoting stand mount, USB cable & storage pouch

User Ratings and Reviews

5 Stars Unbeatable Mic At An Unbeatable Price
This here is truly one of those hidden gem type products that you just don’t really get to appreciate unless you have one for yourself. This is a great investment for anyone looking to do ANY type of recording on the casual level, vocals in particular. But why buy, you might ask?

1) This mic is USB powered. This is pretty much the prime reason that this is the perfect mic for the casual/beginning level user. If you were to buy a regular condenseor mic, or even the regular version of the AT Condenser Mic, you would have to have additional equiptment to power it. For those who, like me, know very little about audio equipment, you would end up paying for far more then you originally expected to spend and most likely been all kinds of confused about how to use it. Being USB powered is truely a God-sent, because all you need to do to make it work is plug it in. Theres no program to load, no instructions to follow, and best of all no sweat to break. As soon as you plug it in, the computer acknowledges it just like any other UBS device and you go on with your buesiness. You dont even need to sit and “safely” eject the thing, just yank it out and your done. No damage done to you computer or your mic. Best of all, the UBS cord is pretty standard, so you can easily replace it if the one that comes with it gets damaged.

2) The price. A lot of professional level condenser mics are pretty expensive, like around three hundred dollars at the cheapest level. Granted, that’s a somewhat random number, but again, for the casual user, that’s not exactly wallet friendly. I got mine in a music store for one fifty. I wish I had looked online for one a little cheaper, but it was still a wise investment. Thus far I haven’t seen another mic this good for this cheap.

3) Durability. If you have any experience with audio equipment, mics in particular, you know that you need to be gentle with it when handling. I got my mic a good year and a half ago, and it’s traveled with me a lot, sometimes in less gentle conditions then I would like. Its been bumped, dropped, and even sat on, yet it still runs strong. The only fragile thing this thing has on it is the legs that prop it up.

4) Sound Quality. Ok I lied, THIS is the best reason to get this mic. I started out doing vocals with a regular stage mic and one thing I can honestly say is that the quality was absolutely terrible. It was grainy, smothered, and I had to almost whisper to make sure my levels didn’t peak while recording. The purpose of a condenser mic is to pretty much rectify all that. This one does it over and over again. My recordings come out crisp and professional sounding, and thus far, no one has been able to tell that I did all the recording my my basement with nothing but the mic, my laptop, and some quite time.

So if you looking for great quality for a affordable price, look no further then

Audio Technica AT2020USB. I have yet to find something I don’t like about this thing. I am a very satisfied customer, and I can almost guarantee you will be too if you decide to get one too.

Peace

5 Stars Audio-Technica AT2020 USB Condenser USB Microphone Works Great
Works great! Easy to use. True plug and Play even with Windows 7. I have been using to record on Windows 7 using Audacity.

5 Stars Worth every dollar plus more!!!
I got my mic the other day and decided to lay some bars down. This was my first mic that i have bought and i must say that i beleive i picked the best one!! easy plug and play picks every up perfect. it is way more than i expected. all im wating for now is my pop filter and my stand. this microphone is worth the money people. do not think about it just get it. you will not regret it. i would reccomend this to anyone.

4 Stars Great mic, poor mic mount
I bought this microphone to make PowerPoint narrations and software demos with Camtasia. The performance of the mic is excellent I don’t have a lot of other mics to compare it to, but I did compare it to the Sure SM58 and the AT2020 had a much warmer, fuller sound. It also picked up a lot more room noise, so make sure you have a nice quiet place to record.

USB compatibility: PowerPoint 2007 does not recognize this microphone, but Camtasia does (and of course, Audacity). PowerPoint will record with it, but you can’t set your levels, so it’s a pain (I know none of you are going to record in PowerPoint, but I am frustrated with the spotty USB mic support in it and I just want to let people know). Did not have to install any drivers on my XP box.

The only flaw is the microphone mount that it comes with. You can’t tighten it enough, so the mic can rattle around in the mount. This is also true for the Samson SP01 Shockmount that I bought to use it with. So, you might need to get a spacer (another reviewer suggested a garden hose gasket).

4 Stars 2nd one works great
First Mic arrived d.o.a. in a well packaged, undamaged box. Amazon customer service was simply awsome. UPS came to my house and picked up defective one the very next day, and the replacement arrived 2 days later. The at2020 looks and works great and amazon is great too Looking for a high quality mic that looks great on your desk? This is a good choice.

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RODE’s NT1-A is one of the world’s quietest microphones! Why is that important? Low noise will give your work the dynamics you deserve. Adding noise from any device, especially at the source, only degrades your performance. The NT1-A has a self-noise of only 5 dB-A! The NT1-A can handle 137dB SPL so you can be confident that even in front of loud guitar cabinets, your recording won’t distort due to overload. By providing ultra-quiet operation and being versatile enough to handle a wide variety of signals, the NT1-A is an affordable studio solution!

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