Posted: January 19th, 2010 | Author: Condenser Microphone Reviews | Filed under: Condenser Microphone Reviews | Tags: 3m, Address, Clarity, Computer Port, Condenser, Condenser Mic, Condenser Microphone, Convenience, Flat Frequency Response, Plug And Play, Shure, Sound Sources, Usb Adapter, Usb Cable, Usb Port, Zippered Pouch | No Comments »
Shure PG27 USB USB Condenser Mic

The PG27USB side-address condenser microphone easily plugs into a computer USB port for the convenience of digital recording. Designed with a flat frequency response, the PG27USB naturally reproduces a wide variety of acoustic, amplified and vocal sound sources – with professional clarity and guaranteed ‘Plug and Play’ Shure quality. The PG27USB microphone includes a 9.8ft (3m) USB Cable, Stand Adapter and a Zippered Pouch
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Posted: January 8th, 2010 | Author: Condenser Microphone Reviews | Filed under: Condenser Microphone Reviews | Tags: Cardioid Condenser Microphone, Condenser, Croakies, Drummer, Freedom Of Movement, Head Style, Headset Microphone, High Quality Audio, Instrumentalists, Keyboard Player, Mic, Microphone Cable, Perfect Fit, Preamplifier, Shure Microphone, Shure Model, Sound Quality, Sound Sources, Vocalists, Wireframe | No Comments »
Shure WH30XLR Cardioid condenser headset mic with XLR connector

The Shure Model WH30 is a light yet rugged headset microphone. Designed for vocalists and instrument-playing vocalists, the WH30 utilizes a high quality electret-condenser cartridge suitable for all applications where mobility, comfort, low microphone-visibility, and high sound quality are required. Because of its cardioid (unidirectional) pickup pattern, the WH30 provides isolation from extraneous sound sources and high gain-before-feedback.The wireframe and gooseneck adjust to any head size and shape. An integrated elastic CROAKIES headband comfortably pads and secures the headset. The WH30 headset microphone is a perfect fit for those who desire total freedom of movement and need the high-quality audio of a condenser microphone.
User Ratings and Reviews
4 Stars A solid mic. Great for singing instrumentalists
It is comfortable to wear. The behind-the-head style is far better than over-the-top-of-the-head. The sound is what you would expect from a Shure microphone: strong, clean sound. Can’t complain about it at all. We use it for our drummer to sing in our band.
4 Stars Good but have to watch out a bit
This is the description of this item “Shure WH30XLR Headworn Cardioid Condenser Microphone with a 10′ Cable & In-Line Preamplifier”, when I receive the item, it doesn’t come with 10′ cable, but resolved with fullcompass.com and they promised to send me the cable.
Overall the mic is very good, just not get use to it, feeling a little uncomfortable at beginning, but the mic works great.
5 Stars Nice microphone
It’s a pleasure to use this microphone as I am a singer and also keyboard player. The quality is even higher than my previous SM 58.
Great !
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Posted: January 7th, 2010 | Author: Condenser Microphone Reviews | Filed under: Condenser Microphone Reviews | Tags: Accurate Reproduction, Aluminum Case, Condenser Microphone, Critical Studio, Crossover Distortion, Elastic Suspension, Frequency Filter, Guitar Amplifiers, Internal Shock, Low Carbon Steel, Mechanical Vibration, Microphone Shure, Response Class, Self Noise, Shock Mount, Shure Ksm44, Sound Sources, Steel Grille, Unwanted Background Noise, Vocal Recording | No Comments »
Shure KSM44 Large Dual Diaphragm Microphone

The Shure KSM44 Condenser Microphone is a multiple pattern (cardioid, omnidirectional, bidirectional), externally biased, dual large diaphragm (1-inch) mic with extremely low self-noise (7dB). Developed to meet the needs of studio recording musicians, the warm, rich sound of the KSM44 delivers exceptional performance, tailored to deliver vivid reproduction of voice for the most critical recordings. The KSM44 also offers great flexibility in a variety of recording applications, working well on acoustic and amplified instruments, as its capacity for managing high SPLs (thanks to a 15dB attenuation switch) accommodates loud sound sources such as drums and guitar amplifiers. Frequency response is 20Hz – 20kHz and an internal shock mount is provided to reduce unwanted handling noise. A locking aluminum case and a color-matched ShureLock elastic-suspension shock mount are included.Shure KSM44/SL FeaturesDual 1-inch, externally biased, ultra-thin, 2.5 micron, 24-karat gold-layered, low mass, Mylar diaphragms provide superior transient response.Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response and no crossover distortion. Minimizes harmonic and intermodulation distortions.Full-range frequency response (20 Hz – 20 KHz) for an extremely accurate reproduction of voice and instruments.Extremely low self noise (7 dBA) for critical studio vocal recording.Premium electronic components and gold-plated internal and external connectorsSubsonic filter eliminates rumble from mechanical vibration below 17 Hz.15 dB attenuation switch for handling high input SPL sound sources3-position switchable low-frequency filter virtually eliminates unwanted background noise and controls proximity effectDurable zinc die-cast housing and hardened low carbon steel grille to protect the cartridge from accidental drops or misuse<
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Posted: January 3rd, 2010 | Author: Condenser Microphone Reviews | Filed under: Condenser Microphone Reviews | Tags: Address, Clarity, Condenser, Condenser Microphone, Diaphragm, Flat Frequency Response, Microphone Shure, Natural Reproduction, Shure Microphone, Sound Sources, Spl, Threshold | No Comments »
Shure PG27LC Side Address Cardioid Condenser Microphone

The PG27LC side-address cardioid condenser microphone is designed with a flat frequency response for natural reproduction and features a large diaphragm. A high SPL threshold handles a wide variety of acoustic, amplified and vocal sound sources with professional clarity. It includes a stand adapter and zippered pouch.
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Posted: December 21st, 2009 | Author: Condenser Microphone Reviews | Filed under: Condenser Microphone Reviews | Tags: Akg C, Akg Microphone, Condenser, Condenser Microphone, Diaphragm, Fan Club, Home Recording, Model C, Paramount, Polar Pattern, Signal Path, Smooth Sound, Sound Applications, Sound Sources, Spl Capability, Studio Microphones, Surface Area, Switchable, Transducer, Tuning | No Comments »
AKG C 3000 B Condenser Microphone

The earlier model C 3000 has had a large fan club in the project studio and home recording worlds for years. For the new C 3000 B, AKG designed a special 1-inch large-diaphragm transducer that closely approximates the vibration performance of top-class studio microphones, but can be made at much lower cost. Due to its surface area and special capsule tuning, the C 3000 B large-diaphragm transducer produces an exceptionally pleasing, smooth sound. Unlike in the C 3000, the switchable 10 dB pre-attenuation pad immediately follows the transducer in the signal path, thus increasing the C 3000 B’s SPL capability by a true 10 dB. Loud sound sources are therefore no problem. An acoustically optimized cardioid polar pattern makes the C 3000 B an excellent choice for both recording and live sound applications where high gain before feedback is paramount.
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